Immersive Videoconferencing and Digital Signage at the NHL, Part 2Visitors to the headquarters of the National Hockey League are immersed in the sights and sounds of the game right away along with conferencing. 4/22/2010 10:33 AM Eastern
Immersive Videoconferencing and Digital Signage at the NHL, Part 2
Apr 22, 2010 2:33 PM, By Bennett Liles
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Visitors to the headquarters of the National Hockey League are immersed in the sights and sounds of the game right away and along with that, state-of-the-art conferencing facilities were set up by McCann Systems featuring multiscreen video and surround sound. McCann’s Joe Fusaro is here to give us the low down on how they made it happen.
OK, Joe, in part one we were talking about the installation that McCann Systems did at the headquarters of the National Hockey League way up there on the top floors in downtown New York, and you’ve got audio and video coming at you everywhere when you walk into this place. Then we got into the conferencing system. They’ve got a big 50in. plasma monitor in there. How do you get video to the big monitor?
Well what we did in the rooms is there’s a dual monitor. There’s a projector and also a 50in. flatpanel plasma monitor, and there are two display devices in the room: a projector and an 50in. plasma screen, and what we did was we used an Analog Way Octo-Plus to feed the two displays. We were able to set the resolution to the native panel of the projector and also the flatpanel TV, so all the sources come in at the highest resolution that they are able to produce and the Analog Way Octo kicks it up to the native resolution on the display and you get a nice clean crisp image. Those are also fed via DVI with DVI extenders, and they are able to, through the Crestron system, pick which monitor they want to use. And if they want to alternate between the two in the middle of a meeting, it’s just a press of a button. [Timestamp: 1:59]
It’s a typical thing, there’s a lot going on behind the scenes, but very simple from the user interface point of view, I guess.
Yeah, absolutely. The whole goal was to give them a lot of features and a lot of different things that you could do in the room but you still want somebody to be able to walk in and use it and not be intimidated by it. And part of that goes into how you design your touchpanels as well, and we laid them out in a fashion where if they’re fairly intuitive. Someone could walk in there and look at it, start touching buttons, and it’s obvious how to run the system. [Timestamp: 2:29]
Yeah, I mean there has to be a fairly easy learning curve on it because these are not, I guess, primarily tech people that are going to be using this. You mentioned the Analog Way Octo. The area of video routers is a very competitive market. What made you choose the Analog Way Octo for this particular job?
Two reasons: One because of its ability to take in all different resolutions and give us a native resolution that we could set for each display, and also because it had the dual monitor output, and this fit perfectly with what we were doing with the two different type of displays—projector and the flatscreen. [Timestamp: 3:04]
And they’ve got the big conference room plasma monitor and how does the control signal get to that? Is that a serial or infrared?
All serial. Yeah, we don’t do infrared. Infrared is good for residential but not for corporate. You want to know that when they hit a button to turn a flatpanel on or to change inputs that it actually happens, and with serial, it’s obvious. In industry, you send a signal, TV does it, and it bounces back what it just did and [the] control system can confirm that what it wanted to happen actually did happen. [Timestamp: 3:31]
Yeah, it seems like a lot of the infrared features on the things is just one power button. A lot of times…
...where if it’s already on, and you have to try to outsmart the system to figure out if it’s already on or whether it’s off.
Yeah, and you don’t want to be saying to this professional when he walks into the room to use the system, “Oh, try hitting that again, maybe it will turn on this time.” They walk in the room, they have their people in there, they want to run their meetings. and you want to make sure that it goes off without a hitch. [Timestamp: 3:58]
It’s got to be set to turn of some time…
…so that it doesn’t run continuously and that can get tricky if you’re trying to use infrared control too.
Exactly right, and we do have timers built into the system that turn the system off late into the evening, and when the control system sends out that system off command, you want to know that it actually happened because the TV acknowledges the turn off, the Crestron system realizes it, and everything is good. [Timestamp: 4:23]
How do they get the satellite feeds in there? Where do they come from?
Satellite feeds were picked up off of the riser. They were satellite dishes that were placed on a rooftop riser, and we had our demark point that we picked off of. The satellite receivers themselves are within each AV rack within each conference room and it was just a horizontal feed from the AV rack over to the riser. [Timestamp: 4:46]
And that’s just a co-ax it carries on in there?
Yeah, we ran RG-11 for that.
Of course, you’ve got the ClearOne audio conferencing that we talked about before. The control interface that they use in there, the Crestron touchpanel…
Yeah. Is there any particular reason why you went with Crestron or I mean there are other touchpanel people so…
Yeah, this particular panel fit in size and also comes with a optional docking station that we installed in a room, and you can place it down on a docking station to run the system, and it looks like it belongs within the docking station. It doesn’t look like two pieces, and then if you pick it up you can walk around the room and run your presentation at the same time. So it’s quite versatile. [Timestamp: 5:31]
And in the executive board room, I think they’ve got one of those too. You’ve got a big 20—what is that?—a 122in. videowall?
Yeah, it’s a 122 in. videowall. What we did there is we had enough space that were able to design a rear projection system for them, and then doing so rather than just doing a frame with a tension screen, we went with a Stewart Starglass on a single bounds rear projection rig with a Christie projector. And with the benefits of the Starglass and the contrast that it offers the picture is absolutely stunning—nice and bright. It pops. Even during the day you are able to see the picture. Obviously, we made sure that the AV room was painted black and dark there so we don’t have any light within that room carrying onto the screen, and that’s what gives it that nice clear image with plenty of color, and the Christie projector is a great projector—a lot of lumens behind and it’s a DLP, so our color palate is very good. [Timestamp: 6:32]
What was it, a HD5K projector?
Yes, HD5K, correct.
Yeah, well, that’s a really good unit. A lot of people are using that. Seems to be well tested at least. So I understand there was a surround system in there too?
Yep, there’s a 7.1 surround system in there, and here I guess we went to a little home theater, wasn’t that difficult but a high-end home theater type speaker system. We used speakers by a company called Triad. They’re hidden room LCR systems for the front, and obviously, we have a left and right speaker flanking the screen. The center channel is just below it with a subwoofer also framed within the front videowall, and then we have in the ceiling surround speakers by Triad. They were installed inside the ceiling, flush to the ceiling, and it’s a 7.1 surround sound. For videoconferencing, there’s a separate set of speakers for that, but they do a mix of a surround sound for a hockey video that they’re creating. They can play it back, people can comment on it and listen to it, and it’s real simple 7.1 surround system. [Timestamp: 7:41]
OK, so you’ve got a source rack back there, I guess, inside the rear projection room?
Immersive Videoconferencing and Digital Signage at the NHL, Part 2
Apr 22, 2010 2:33 PM, By Bennett Liles
Did you have any kind of challenges running cables and getting all the stuff back there to that?
No, again, it’s all in the planning. When we designed the system, and with the architects, we made sure we had the spacing within the room to place the rear projection rig, to place the AV rack, power for all of it, and then also we made sure that we had conduits sleeves that went from the AV room out into the board room so that we had a means to run those cables and protect them. Once we did that, it was all pretty easy. It was just stub ups from the wall devices up to the ceiling, ran our cables up over through the conduit and to the rack and projector, and away we went. [Timestamp: 8:27]
Obviously it has to be functional, but it was also laid out to be impressive as well.
And when you get to the commissioner’s office, I guess that’s the, sort of, ultimate thing.
Yeah, he has a very unique system.
Describe it a little bit. It’s a fairly a big room, isn’t it?
It’s a very large room; it’s probably about a 20’x20’room or maybe a little larger, 25’x25’—something like that. And what we were told there is that the commissioner wants to be able to see live NHL news reports, what’s happening in all different markets, and we were told that there were three that he was very interested in seeing: Dish Network, Direct TV, and there’s also a feed from a Canadian satellite provider. So he wanted to be able to have all these three essentially up at the same time. So what we did is we created one wall in the front of the room, across from the desk, with a 50in. flatscreen monitor and then with two 42in. flatscreen monitors flanking it and we had an AV room built and we put a AV rack in there with all our sources—DVD player, the three satellite providers that I just mentioned, as well as being able to take his computer—his desktop computer, which is a dual monitor—and send that up to those three flatpanels as well. Now, that’s a lot of sources, a lot of monitors. How do you make this all happen and so that the commissioner can control it real easy? Again we went to Crestron—used their product, a Pro2 controller and another TPMC-8X touchpanel—and essentially we created a simple matrix that was easy to follow. On the touchscreen page we had all the sources and then we had the three monitors; you simply just select your source and tell it which monitor you want it on. Bingo! Makes the route and you have your video that you want on the monitor that you want. So if he wants to have Direct TV on the large 50 in. he just makes that route he wants to switch it and have his computer up there and then put the Direct TV on one of the smaller monitors. It’s just a couple touches of a button and away he goes. [Timestamp: 10:27]
So easy even a commissioner can do it.
And you guys program the Crestron stuff, right?
Yes, we do. We do all that inhouse. And that’s kind of important for us. It vitalizes to maintaining a certain quality control of what we are doing and also to be able to respond to the clients needs pretty quickly. If they decide they want to change something us—they want to rename a button—we don’t have to go to an outside source to do it; we are able to handle that inhouse quickly. [Timestamp: 10:55]
Yeah, that’s one thing that would really impress people because I would imagine that with a system as complex behind the scenes as this, it’s almost inevitable that sometime or other they decide they want to something a little bit of a different way or they get confused and they want to have the system, well, maybe a change or two done there.
Yeah, but that’s just the nature of what it is. See, you can think about this system through as much as you want and then they go to you and because maybe they can’t visualize exactly what the end event is going to be like and you want to be able to respond to them—they say, “You know what, can we make this slight change to make it easier for me to operate?” We are able to do it very quickly. [Timestamp: 11:33]
Right, and you already know what the original layout was so there’s no back tracking necessary. So did they have any kind of surprises or changes they threw at you during the installation?
A minor one, not a big deal. What they decided to do was to add electric blackout shades and a lighted control package in the commissioner’s office, which was not difficult for us to handle. As the contractor went in to do some high voltage rewiring for the lighting and for the shades, we went in there at the same time, dropped a couple of low-voltage cables in a couple of key areas, and we were able to give them the lighting and shade control right to the touchpanel. [Timestamp: 12:11]
So did you have to provide any training for the people? Obviously you had to show it how it worked, but how difficult was that? Yeah, the showing them how to operate the system wasn’t very difficult at all. Again, that goes back to how you program your touchpanels. If you make them intuitive enough, people are going to be able to pick them up and just use them and follow the key prompts and it leads them through what they want to do. The one area that we did have to do a quite bit of training was with the Watchout system. They have a production department that creates their clips and sizes their videos and creates all their audio tracks for what they produce, so it wasn’t very difficult to train them on a Watchout system. It was a matter of just sitting down with them one session, going through it, showing them how to do it, and then I would suggest, “You know what, use this system for a while, create a few clips.” We scheduled a return visit because at that point we figured now that you’ve used it you going to have some key in depth questions, and we went back, answered those questions, and they’ve been using it since. [Timestamp: 13:13]
Yeah, they probably like to, after you show them how it works, just sit there and play with it for a while and so they can impress people who come in. And nobody wants to look like they don’t know how it works anyway, when they have people coming in from the outside. Yeah, exactly, that’s why we went in with the notion of we are doing this in the two-step training process: one, we’re going to come in and show you how to use it, you make some clips, come up with some questions that fit your needs, and we will come back and answer them for you, and it worked out splendidly—gave them the ability to learn the system, how to use it, and everybody is happy. [Timestamp: 13:45]
So how many people did it take to do all this and how long did it take you to get all this set up?
To do the installation took, well, the rough end work, if I remember correctly, was about a five month process from the time they demoed the place until it was done. So it was about on and off for about a little over three months of coming in and pulling cable, doing cable tipping and testing, and that sort of work, and then it was a little over four weeks to do the finish work. [Timestamp: 14:16]
And how many people did you have involved in all that?
On and off during the pre-construction phase: Let’s see, during the construction phase, we had about four people in demand at various key points, and then during the final install, it would range between four and six people, depending what rooms we would get into and what we needed done. [Timestamp: 14:35]
That was a very ambitious project.
Yes, it went pretty fast and furious for just the nature of working in Manhattan. Real estate is expensive and people want to get in there and use it as quickly as possible. [Timestamp: 14:49]
So what’s their reaction so far?
So far so good. They’re running their meetings in there, people walk through and every time I go there, they’ve got a new video clip up on the Watchout system/Samsung wall, which is nice to see, and they’re doing a lot with it.
Well, thanks very much, Joe. This has been great. And I’m sure the visitors and the NHL commissioners staff are all impressed when they go in there and get all this hockey video and sound coming from everywhere. Thanks a lot for being here to explain how you made it all happen.
I appreciate it. It was fun.