When Orlando’s Discovery Church set out to build a new main broadcast campus, the overriding goal was to create a space that was comfortable and inspiring for in-person worship but also technically optimized for streaming of Sunday services and other special events. Audio was a critical component in achieving the technical goals.
“We were looking for a major step up from the aging point source system at our old broadcast campus,” says Zack Howes, technical director at the new Sand Lake campus. “We wanted a system with higher output and greater intelligibility, and also rider-friendly. We wanted to up our own game at weekend services but also be ready for high-profile special events.”
Discovery’s new Sand Lake Campus centers around the spacious, 12,000-square-foot worship auditorium with seating for 1,350. The new custom-tailored sound system, designed by Pro Sound Lead Engineer Craig Compton, is anchored by main arrays of eight-each Meyer Sound LEOPARD line array loudspeakers plus eight UPM-1XP loudspeakers as front fills, and two of the new ULTRA-X42 loudspeakers as fills to cover side seating. Low frequencies are bolstered by eight 900-LFC low-frequency control elements, with six flown as a cardioid center array and two on the floor.
“The new system ticks all the boxes in terms of headroom, intelligibility, and coverage,” says Howes. “We still have a bit of a lively room, but despite that the sound is very controlled for broadcast, keeping almost all reflections away from the stage.”
The clarity of the LEOPARD system has boosted intelligibility to the point where services can be run 5 to 6 dB quieter than with the old system. But when it’s time for special youth events, the system has ample reserves.
“We’ve had contract mixers come in here who have worked with major touring artists, and I remember one of them, the first time he mixed on the system, had a giant grin on his face,” recalls Howes. “Also, our pastoral leadership is pleased that we can offer audio quality that is on par with the top entertainment attractions in Orlando. We feel we have an important message to communicate and want to make sure we deliver the message with the same—or better—clarity and impact.”
Good relationships with immediate neighbors also are important, and in that respect, Howes is impressed with the effectiveness of the cardioid subwoofer array. “It not only keeps energy off the stage, but it also greatly reduces energy hitting the rear wall. We have an apartment building only about 100 feet behind that wall, but I have yet to hear of one complaint.”
Other members on the Pro Sound team contributing to the effort were Jason Cooper (project management), Jason Tart (lighting, truss, and rigging), and Pete Suarez (fabrication).
The front end of the reinforcement system revolves around DiGiCo SD-12 digital consoles, one each for broadcast, FOH, and monitors, all linked by an Optocore fiberoptic backbone.