The DPA d:vice MMA Digital Audio Interface works with any iOS device, Mac, or PC computer, making it easy to broadcast or recording crystal clear sound anywhere in the world. When used with a DPA microphone, it can capture or stream audio in quality previously only available in the studio. When it’s not possible to have an experienced sound engineer on site, the d:vice can act as a mini sound engineer in your pocket. The d:vice MMA-A Digital Audio Interface is a highquality, two-channel microphone preamp and A/D converter offering mono, dual and stereo capabilities. This flexibility allows a journalist to use the equipment for any unexpected situation that might arise during their day. Whether it be a two-channel interview situation or a session of recording ambience sound in stereo, the d:vice makes it easy for journalists to do their job. Furthermore, the d:vice is the only small form factor two-channel audio device on the market that allows users to set individual gain for two channels in an iOS environment. The d:vice comes with interchangeable lightning and USB cables for connectivity. Its MicroDot inputs allow the d:vice to be connected to all DPA capsules, including the d:screet Miniature, d:fine Headset, d:vote Instrument and even the d:dicate Recording microphones, including shotgun microphones, via the optional MMP-G preamp.
WorldStage Opens xRStage-Nashville @ NuMynd Studios
WorldStage has brought its third LED video studio to market in Nashville in collaboration with NuMynd Studios, a well-known film studio rental company. The versatile xRStage-Nashville @ NuMynd Studios...
Matrox Extio 3 IP KVMs Now Compatible with Ross XPression Studio Product Line
Extio 3 allows broadcast facilities to remotely control XPression CG and graphics systems over LAN or private WAN Matrox® Video is pleased to announce...
It’s DiGiCo Throughout For Bellevue Baptist Church
Paragon 360 installs three Quantum7 consoles and an SD12 as the audio mix hubs for the largest house of worship in Memphis
Tulsa Opera’s Baseball-Themed “Rigoletto” is a Grand Slam with L-Acoustics
Unique production of Verdi’s famous opera in the Tulsa Drillers’ ONEOK Field relied on Axiom Audio’s Kara enclosures arrayed in a configuration usually seen at the Super Bowl