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ATEM Constellation 8K Used for Live Production at Country Music’s WE Fest

Blackmagic Design today announced that its ATEM Constellation 8K live production switcher was used as part of an Ultra HD 12G-SDI and fiber live production workflow at WE Fest, the largest country music festival in the United States and the longest running in the world.

ATEM Constellation 8K Used for Live Production at Country Music’s WE Fest

Fremont, CA – October 28, 2019 – Blackmagic Design today announced that its ATEM Constellation 8K live production switcher was used as part of an Ultra HD 12G-SDI and fiber live production workflow at WE Fest, the largest country music festival in the United States and the longest running in the world.

Now in its 37th year, the three day festival took place in Detroit Lakes, MN, in August 2019 with performances from stars such as Chris Stapleton, Keith Urban, Brooks and Dunn, LeAnn Rimes and more.

The ATEM Constellation 8K is the heart of a new flypack from Pennsylvania based full service video production company Upstage Video, which also includes Blackmagic Design’s Smart Videohub 12G 40×40 router, ATEM 2 M/E Broadcast Panel and more. Built specifically for the concert touring and music festival industry, the Ultra HD 12G-SDI and fiber flypack was responsible for switching and video distribution for WE Fest’s two 17’ x 27’ on stage screens and 12’ x 21’ front of house screen, as well as for closed circuit distribution and simulcasts in the VIP campsites and vendor areas.

“What’s unique about this flypack is that its modular design allows it to break into three racks with the director’s rack sitting front of house,” explained Upstage Video’s Project Manager Greg Brown. “In the U.S., most directors are typically set up backstage, while U.K. directors typically sit front of house so they can see lighting, etc. However, in the U.S., we’ve been seeing a trend where more and more directors prefer front of house because they want to have the energy from the show and the audience, which is hard to get backstage. It was important for us to develop a flypack that could easily provide a front of house director position with engineering backstage.”

The director’s rack houses the ATEM 2 M/E Broadcast Panel, SmartView 4K and SmartScope Duo 4K monitors and Teranex Mini SDI to Audio 12G converters, and it’s linked to the CCU rack, which houses the ATEM Constellation 8K, Smart Videohub 12G 40×40 with Videohub Smart Control, Audio Monitor 12G, Mini Converters Optical Fiber 12G and GPI and Tally Interface. The third rack is the engineering rack and has additional Mini Converters Optical Fiber 12G and a media server.

When it came time to design the flypack, Upstage Video needed a switcher that could handle a substantial workflow, but at the right price point. “When we saw the ATEM Constellation 8K, we knew we had to go with it,” said Brown. “The 24 assignable 12G-SDI outputs are huge for us as they help cut back on the amount of routing that we need. We also love the built in Fairlight audio mixer, which was a big help at WE Fest with embedding the analog audio feed from the stage mix into our video feeds for recording, as well as the closed circuit TV feed.”

“Additionally, the ATEM Constellation 8K’s ability to receive any resolution or frame rate and convert it is not only fantastic in its own regard, but also helps keep latency to a minimum,” he added. “Being in live entertainment, having the least amount of latency, ideally less than seven lines of processing delay, is critical, even in the multiviews.”

With four to six acts performing daily across the three day festival, coupled with each act having different video needs and setups, preparedness and peace of mind were key. Brown explained, “We do our best to connect with acts weeks before an event, but with folks on their own tours this can be difficult to accomplish. At WE Fest, the ability to have an act’s video director walk in the morning of their show and quickly fulfill their needs helped the director relax and concentrate on switching the show. In this vein, the ATEM Constellation 8K’s ability to receive different resolutions and frame rates and convert them with no outboard gear is ideal. Similarly, with 40 12G-SDI inputs, we were able to patch in every act’s needs in the morning, which eliminated the need to hard patch cables in between acts.”

Another deciding factor was the switcher’s flexibility between HD, Ultra HD and 8K capabilities. “To have 8K service, even if we don’t use it just yet, coupled with the fact that in Ultra HD it’s a completely maxed out switcher, all at that price point, made the ATEM Constellation 8K a no brainer,” concluded Brown.

Press Photography

Product photos of ATEM Constellation 8K, ATEM 2 M/E Broadcast Panel, Smart Videohub 12G 40×40, Videohub Smart Control, SmartView 4K, SmartScope Duo 4K, Audio Monitor 12G, Teranex Mini SDI to Audio 12G, Mini Converter Optical Fiber 12G and GPI and Tally Interface, as well as all other Blackmagic Design products, are available at www.blackmagicdesign.com/media/images.

About Upstage Video

Since 2005, Upstage Video has been dreaming up, delivering, and building video displays for live events and spectacular installations all over the world. From concert touring and television broadcasts to corporate, sporting, and special events, the company is focused on providing market leading technology and talent to the biggest brands and event producers in the business. A boutique shop with over a century of combined experience, their capabilities range from multi camera production to mobile and modular LED screen packages. Their dedication to “better,” not “bigger,” set them apart from their peers.

About Blackmagic Design

Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

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