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Meyer Sound JM-1P & 1100-LFC Drive High-Energy Worship at The Crossing Church in Las Vegas

To attract a younger, media-savvy demographic, The Crossing Christian Church has installed a concert-grade Meyer Sound system. The design features the JM-1P arrayable loudspeaker and the 1100-LFC low-frequency control element, Meyer Sound’s most powerful loudspeaker for 30 Hz to 85 Hz frequency range.

“It’s great to finally have a system with enough headroom so that we can push it hard when needed, and have it respond with a smooth increase in gain, without distorting or changing the tonality,” says Bob Meyers, principal audio engineer at The Crossing.

For uniform coverage of the wide, 1,800-seat room, the system relies on four main clusters of JM-1P loudspeakers, with four in each end cluster and five in each of the two center clusters. One UPA-1P loudspeaker provides down-fill under each cluster, while six UPJuniorâ„¢ VariOâ„¢ loudspeakers supply front fill. Four 1100-LFC low-frequency control elements are flown in an end-fired array over the stage, and two 600-HP subwoofers are placed underneath the deck. System drive and optimization are handled by a GalileoA® Callistoâ„¢ loudspeaker management system with two Galileo Callisto 616 array processors.

Kevin Potts and David Starck of Las Vegas-based Coherent Design handled system planning in close consultation with the church’s principal audio engineers: Meyers and Aaron Beck, a volunteer who is also head of sound for a resident Cirque du SoleilA® production. System integration was handled by Las Vegas-based AVDB Group, with Bob Langlois responsible for overall direction and Daryl Porter handling on-site project management.

“They are serious about audio quality at The Crossing,” says Starck. “When they built this new worship space, they wanted to make sure everything was done to the highest standards.”

From an integrator’s perspective, the Meyer Sound solution has saved both time and money. “With a Meyer system, you pull it out of the box, and it works,” says Langlois. “The amount of labor is so much less than with other non-powered systems.”

The front end of The Crossing’s new audio system includes a Yamaha CL5 digital mixing console at FOH, Shure ULX-D wireless microphone systems, Shure PSM 900 IEMs, and wired microphones from Countryman, Audio-Technica, Sennheiser, Shure, and Audix.

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