The Wire
CameraOne UK expansion continues
15 February 2024: CameraOne UK, the recently launched division of CameraOne, is delighted to announce further expansion – with new offices opening in Manchester and Cardiff – and a...
cinematography
The Wire
CameraOne UK Launches
London, 4 January 2024: CameraOne is excited to announce the opening of its newest division, CameraOne UK, with offices in Surrey and a drop-off and collection location in the...
The Wire
Hulu Original TV mini-docuseries, The 1619 Project, makes extensive use of Cooke miniS4/i S35 prime lenses
Cinematographer Jerry Henry’s Emmy® nomination for the sixth and final episode (“Justice”) of the Hulu Original TV Mini-docuseries The 1619 Project is just one of three Primetime Creative Arts...
The Wire
Cinematographer Manoj Paramhamsa Uses Cooke Anamorphic/i FF Lenses to Bring Out the Beauty, Softness and Warmth in Leo
Cooke anamorphic lenses alleviate the concerns of Indian skin tones, field of view and close focus for the third film in the Lokesh Cinematic Universe
The Wire
Verve celebrates second anniversary with remarkable list of productions served
London, UK, 17 July 2023: Verve, the camera equipment rental and production support company, is celebrating its second anniversary, having built up an astounding portfolio of clients and managed...
The Wire
Cooke Optics Anamorphic/i S35 Special Flare Helps DP Byron Werner Strike Gold for Spinning Gold
You might not know the name Neil Bogart, but you will know the music artists he made famous as co-founder of Casablanca Records: Donna Summer, Kiss, Parliament, Village People,...
The Wire
Cooke S4/i lenses capture emotional heart of The Last Of Us
Cooke Optics can proudly share that its globally renowned Cooke S4/i spherical lenses were the tool of choice for cinematographer Ksenia Sereda to shoot The Last Of Us, the...
The Wire
Mo-Sys launches MoRail its high-performance motorized camera rail at IBC 2022
Mo-Sys Engineering (www.mo-sys.com), world leader in precision camera tracking solutions for Virtual Production (VP), announces the launch of its new high-performance motorized rail, MoRail, which enables cost-effective creative pan-tilt-zoom...
The Wire
Mo-Sys to demonstrate live broadcast and cinematic Virtual Production at IBC 2022
Mo-Sys Engineering, world leader in precision camera tracking solutions for Virtual Production (VP), is to lead the market with stunning demonstrations and critical collaborations at IBC2022. The demonstrations will...
The Wire
Mo-Sys announces new StarTracker Mini and StarTracker Max as company reveals exciting new development path
Mo-Sys Engineering, a world leader in Virtual Production solutions, remote production and image robotics, has today announced plans to introduce two new StarTracker products together with an innovative exchange...
The Wire
Mo-Sys and AOTO partner to show Multi-Cam LED Virtual Production Solutions at InfoComm 2022
Demonstrate live VP workflow featuring Mo-Sys Multi-Cam Switching capability and AOTO’s LED tiles
The Wire
Mo-Sys leads the way with cinematic Virtual Production solutions at Cine Gear 2022
Illustrates VP Pro XR LED content server, G30 Gyro-Stabilized remote camera head and Cinematic XR Focus
The Wire
Mo-Sys And VFX World Partner To Offer Virtual Production Solutions
Expertise, experience and knowledge for cinematic virtual production on show at BSC Expo
The Wire
Mo-Sys Innovation Solves Multi-Camera Switching For LED Volumes at NAB Show 2022
New LA virtual production services launched with an ambitious final pixel shoot to solve logistical challenge
The Wire
Mo-Sys Partners With Assimilate To Integrate StarTracker With Live FX
Allows a streamlined connection to post production workflows, making tracking data directly available for VFX-post
The Wire
New Period Drama for HBO Max, The Gilded Age, lensed with Cooke Spherical and Anamorphic/i Prime Lenses
Set in New York City in the 1880s, a period marked by the clash between old traditions and new paradigms, Julian Fellowes’ HBO original series The Gilded Age tells...
The Wire
Mo-Sys Launches G30 Gyro-Stabilized Head
Radical design includes a universal camera cage, semi-automated balancing, and an innovative control console
The Wire
Mo-Sys and APG Media Join Forces to Provide End-to-End Virtual Production Solutions
Mo-Sys™ Engineering, (www.mo-sys.com), a leader in virtual production and image robotics, and APG Media (www.apgmedia.com), a leading LED volume rental provider and distributor, have partnered to provide customers with access to...
The Wire
Cinematographer Diana Olifirova makes her series debut with Cooke Anamorphic/i lenses
Cinematographer Diana Olifirova chose Cooke Anamorphics to film We are Lady Parts, Nida Manzoor’s anarchic and irreverent music comedy about a Muslim female punk band – called Lady Parts...
The Wire
Cooke Anamorphic/i SF Prime Lenses Trusted for Mayday, shot by DP Sam Levy
“When you’re preparing a film you can indulge in dreamy conversations –– it’s an essential part of the process that gets infused into the work. But once you’re on...
The Wire
Cooke S7/i Lenses Bring Out the Lush and Sensual World of Ballet in Birds of Paradise
Just the word ‘ballet’ brings wonderful classic images to mind. To capture those images juxtaposed with the modern world for Birds of Paradise, director of photography Shaheen Seth relied...
The Wire
Power Book III: Raising Kanan takes a look back to the 1990s with Cooke S7/i Lenses
In the 1990s, almost every DP in New York was using the Cooke Optics S4/i for commercials, music videos, and independent features, according to Aaron Medick, one of the...
The Wire
Cinematographer Larry Smith, ASC, BSC captures the vibrant Moroccan essence of The Forgiven with Cooke Anamorphic/i lenses
Writer-director John Michael McDonagh and cinematographer Larry Smith, ASC, BSC faced a race against time in the face of a threatening global pandemic to capture the vibrant colors and...
The Wire
Mo-Sys launches long-awaited VP Pro XR
Mo-Sys™ Engineering, world leader in virtual production and image robotics, has released a new multi-node media server solution for LED volumes to meet the demands of final pixel XR production for film and TV.
The Wire
New RANGER Camera System From RED Digital Cinema Now Shipping To RED Authorized Rental Houses
RED DIGITAL CINEMA announced the availability of its new RED RANGER™ all-in-one camera system designed to meet the needs of high-end productions at select RED Authorized Rental Houses. RANGER...
The Wire
Zoe Iltsopoulos Borys Appointed Vice President and General Manager of Panavision Atlanta
Panavision, the entertainment industry’s leading designer, manufacturer and rental provider of high-precision optics and camera systems, has named Zoe Iltsopoulos Borys to lead the company’s Atlanta office as vice...
News
FUJIFILM/FUJINON’s MK Zoom Lens Series Honored in Several Best-Of Lists
Wayne, N.J. – Since their launch in February of 2017, the MK Series of zoom lenses from the Optical Devices Division of FUJIFILM have received numerous accolades from noted industry...
News
Popularity of FUJIFILM MK Lenses Draws Support from Third Party Manufacturers
Thanks to the growing popularity of the recently introduced FUJINON MK Series, camera and lens support providers have taken note and now offer a range of solutions to benefit...
News
Environmental/Social Activist DP and Still Photog Wins MK18-55mm FUJINON Zoom
Ability to Retain Focus Through Zoom Range, Lack of Breathing, Image Quality and Weight Put Lens at Top of Lance Murphey’s Go-To Gear
NAB Newslink
NAB 2017: FUJIFILM’s First NAB Speaker Series Includes Noted Feature Film, VFX, and Concert Cinematographers
Wayne, N.J. – The Optical Devices Division of FUJIFILM will hold its first-ever speaker series, featuring some of the industry’s top cinematography professionals, during the NAB convention. Speakers will represent a...
Post Type the_wire
“FUJINON Days” Held in U.S. and Abroad
Cinematographers and Optical Technicians Put Premier and Cabrio Zooms through their Paces during Educational Seminars
Post Type the_wire
American Society of Cinematographers Names Student Award Winners
Student Filmmakers from USC, Art Center College of Design, and RIT take top Prizes
Capture / Streaming
American Society of Cinematographers Announces Finalists for 2016 Student Heritage Awards
Continuing their mission to advance the art of cinematography by inspiring and educating the new generation of filmmakers, the American Society of Cinematographers (ASC) has announced the nominees for...
Post Type the_wire
Aerial Cinematographers Rely on FUJINON-Equipped SHOTOVER Gyro Stabilized Camera Systems
New Zealand-based company SHOTOVER prides itself on equipping its ultra-high performance stabilization camera systems for high velocity cinematography with top-of-the-line equipment. Designed for use in helicopters, ground vehicles and...
Max Holland Joins Shotoku Broadcast Systems as Technical Sales Manager
Shotoku Broadcast Systems has announced the appointment of Max Holland as Technical Sales Manager.
TAG Video Systems and swXtch.io Unveil Advanced Cloud-Based Media Monitoring Solution
TAG Video Systems and swXtch.io are collaborating to provide advanced cloud-based media monitoring for broadcasters and content creators.
Cloudbass New Cutting-Edge IP OB Trucks Set to Support a Hybrid Remote Workflow with arkona and manifold
Frankfurt, Germany – May 19, 2025 — arkona technologies GmbH and manifold technologies, providers of cutting-edge IP core infrastructure solutions, have been tapped by Cloudbass, a UK leader in...
Cobalt Digital Heads to BroadcastAsia with a Comprehensive Suite of IPMX Compliant Products in a Variety of Form
Cobalt Digital, the leading designer and manufacturer of award-winning signal processing products, and a founding partner in the openGear® initiative is heading to BroadcastAsia 2025 with an array of...
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