Having continued successful permanent productions in Chicago and New York, the Broadway musical
(
MDQ
) has hit the road with a North American tour. To accommodate venues seating from 1,400 to over 3,000, sound designer Kai Harada specified a
system based around
A® and
A® line array loudspeakers.
“My goal was to give the touring crew a system with a lot of flexibility, so they could adjust coverage angles for theatres of all shapes and sizes,” explains Harada. “With the M’elodie center cluster and MICA side arrays, they have all the power they need for bigger houses, along with reliable consistency of sound—a quality at which Meyer systems always excel.”
Inspired by a 1956 recording studio jam session by Elvis Presley, Carl Perkins, Johnny Cash, and Jerry Lee Lewis,
Million Dollar Quartet
captures a pivotal night in the history of rock ’n’ roll. On the
MDQ
tour, the lion’s share of the show’s energy is delivered by a split dual center array of 20 M’elodie loudspeakers and the upper and lower side arrays comprising a total of 20 MICA loudspeakers. A left-right configuration of
subwoofers and a
at center provide low end, while a total of 16
and
â„¢ VariOâ„¢ loudspeakers supplies fill and delay systems as needed. A GalileoA® loudspeaker management system with four
processors provides drive and optimization.
“This is a rock ’n’ roll show, but it was my goal to preserve the dynamic between the book scenes, the songs, and the big finale,” Harada says. “It’s important to hold a lot of punch in reserve, and this system certainly has it.”
Harada is also the sound designer for resident productions of
MDQ
at Chicago’s Apollo Theater and off-Broadway at New York’s New World Stages. The New York system is based around a
â„¢ line array in the center with
and
loudspeakers on the sides, while the wide thrust staging in Chicago also employs CQ-1 loudspeakers with smaller UltraSeriesâ„¢ models for delays and fills.
supplied all three systems for the touring and resident productions.
Despite the radical differences in venues, Harada credits the Meyer Sound systems with maintaining a uniform sound. “For me, it comes down to consistency and transparency,” he says. “I can focus on bringing the audience closer to what is happening on stage with the confidence that the system won’t adversely color their experience.”
Harada also specified Meyer Sound systems for
MDQ’s
well-received 2010-11 run on Broadway at the Nederlander Theatre and in London at the NoA«l Coward Theatre in 2011-12.
The book for
Million Dollar Quartet
was written by Floyd Mutrux and Colin Escott. The Broadway production was nominated for three 2010 Tony Awards, with Levi Kreis (Jerry Lee Lewis) winning Best Featured Actor in a musical.
A long-time associate of Broadway sound designer Tony Meola, Kai Harada currently supervises sound for all productions of
Wicked
, and has designed around the world using Meyer Sound systems, including
Hinterm Horizont
in Berlin, and the critically acclaimed revival of
Follies
on Broadway.
