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SMPTE Archive eXchange Format (AXF) Standard Proves Immediate Success in Real-World Adoption and Implementation

WHITE PLAINS, N.Y. — June 21, 2016 — The Society of Motion Picture and Television Engineers(R) (SMPTE(R)), a leader in motion-imaging standards and education for the media, entertainment, and technology industries, today announced that the SMPTE Archive eXchange Format (AXF) standard (SMPTE ST 2034-1:2014), published in 2014, has now been successfully adopted and executed, smoothly supporting the transparent and independent exchange of complex file-based assets and metadata between storage management applications from different vendors.

Designed for operational storage, transport, and long-term preservation, AXF was formulated as a wrapper, or container, capable of holding unlimited collections of files and metadata related to one another in any combination. Known as “AXF Objects,” such containers can package, in different ways, all the specific information that different kinds of systems would need to restore content data by any AXF-aware system. AXF is already being used to store and protect complex media assets in formats such as Material eXchange Format (MXF), Interoperable Master Format (IMF), and Digital Picture eXchange (DPX), as well as more generic, enterprise information technology (IT) file-based assets such as geophysical databases. By supporting the interchange of SMPTE AXF Objects, the SMPTE AXF standard enables interoperability among disparate content storage systems and ensures content’s long-term availability, no matter how storage or file-system technology evolves.

“The real-world test of the SMPTE AXF standard proved an immediate success, demonstrating that the standard document so carefully crafted by the SMPTE AXF Working Group has solved the problem it was designed to address,” said S. Merrill Weiss, chair of the SMPTE Working Group on Archive eXchange Format and SMPTE Fellow. “This landmark in standards implementation is exciting not only because it illustrates the value of SMPTE’s ongoing standards work, but also because it validates many organizations’ decisions to move forward using AXF to future-proof their media archives.”

Oracle and Burbank, California-based Digital Preservation Laboratories became the first vendors to exchange SMPTE AXF Objects created by their respective storage management applications and to read and recover the file-based payloads and encapsulated metadata. They were successful in their first attempt. Oracle was a major contributor to the development of the standard and among the first to market with software built on AXF. As a testament to the efforts of the SMPTE AXF Working Group, Digital Preservation Laboratories developed its entire implementation from the published standard document without any guidance or assistance, in a “clean-room” implementation, and was able to exchange AXF Objects immediately. AXF already has been adopted by multiple vendors and is installed in more than 100 systems worldwide, storing many petabytes of content that now are protected for future recoverability, independent of the systems that stored them.

Further information about SMPTE is available at www.smpte.org

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About the Society of Motion Picture and Television Engineers(R) (SMPTE(R))
Winner of an Oscar(R) and multiple Emmy(R) Awards, the Society of Motion Picture and Television Engineers(R) (SMPTE(R)) is a global leader in advancing the art, science, and craft of the image, sound, and metadata ecosystem. A professional membership association that is internationally recognized and accredited, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. For a century, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 800 standards, recommended practices, and engineering guidelines. 

Nearly 7,000 members — motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students — who meet in Sections worldwide, sustain the Society. Through the Society’s partnership with the Hollywood Professional Association (HPA(R)), this membership is complemented by the professional community of businesses and individuals who provide the expertise, support, tools, and infrastructure for the creation and finishing of motion pictures, television programs, commercials, digital media, and other dynamic media content. Information on joining SMPTE is available at www.smpte.org/join.

Photo Link: www.wallstcom.com/SMPTE/SMPTE_Merill-Weiss.jpg
Photo Caption: S. Merrill Weiss, SMPTE Fellow and Chair of the SMPTE Working Group on AXF 

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