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Wielding a PDX720 and Plethora of AUDIX Mics, The Aquabats Vanquish the Forces of Boring Music

“On tour, we always used to be at the mercy of the house mics. Sometimes they're great and sometimes they're not so great. Now I bring my whole AUDIX mic setup out. Now we know what we we’re getting every night!”

Los Angeles, CA (April 8, 2024) — Part rock band with ska-punk roots and one of the most rabid fanbases ever known, part TV producers whose antics pit the heroic band members against comic-book-esque villains on The Aquabats Super Show, and part creative force behind the star-studded musical children’s program Yo Gabba Gabba, The Aquabats are a cross-media phenomenon. They work clean enough for kids but snarky enough for the parents to chuckle along without worry — and they do it all to a body-moving soundtrack using AUDIX microphones, beginning with the new PDX720 dynamic studio vocal mic. Drummer Ricky Fitness (Richard Falomir) details their use of the PDX; the A133 studio condenser, the SCX25A “lollipop” condensers, and gallery of drum mics including the D2, D4, D6, and i5. He monitors through A150 headphones.

“I knew early on that I wanted to play music,” recalls Ricky. “I’ve been in the Aquabats since I joined as their drummer in 2001, and the rest is history. We do a lot of things with the Aquabats, such as our TV shows.”

Ricky first encountered AUDIX mics via the enthusiasm the brand was creating among his peers. “I had always seen AUDIX mics, just touring around,” he says. “I used a D4 on a lot of different things. I had always seen other artists using them and knew they had a great reputation. When I started to acquire more, my mic locker went all over the place — it was whatever I picked up along the way! They upped the quality of what I was able to do, whether that was studio work, onstage, or teaching young kids to play drums online.”

Right now, Ricky is most excited about the new PDX720, the dynamic mic designed to go anywhere a large-diaphragm condenser can — and many places one cannot. “On tour, the PDX720 is working great on the outside of the kick drum,” is how he describes one unexpected application, “while I use a D6 on the inside. Then the D4 and D2s are on my toms, and I love them. Of course, an i5 on the snare.”

Since the PDX720 is also meant for podcasting, another use Ricky found was for the voiceovers in the Aquabats’ sketches. “We had multiple characters doing voiceovers at the same time [in the studio]. We had the PDX in in the mix and different actors and producers using it. Our guy Cameron Webb is kind of a mic snob. First, he loves the way the PDX looks. I think it catches people’s eye right away and exudes quality. I know AUDIX’s reputation as a drum mic company is awesome, but the PDX is an amazing jack-of-all trades.”

Ricky’s close second favorite is the SCX25A, known to enthusiasts as the “lollipop” mic. “What I noticed right away was the detail,” he explains. “I record a lot of stuff I close because I have a small space. Their sound is just so balanced. It has clarity. It’s so the right amount of detail that I’m looking for, you know, capturing the toms and the cymbals and even my hi-hats when I use as overheads. I’m curious how they’d sound on vocals.”

Whatever mic is in hand or on a stand, consistency of results is an AUDIX virtue Ricky points to again and again. “On tour, we always used to be at the mercy of the house mics,” he notes. “Sometimes they’re great and sometimes they’re not so great. Now I bring my whole AUDIX mic setup out. Now we know what we we’re getting every night!”

About AUDIX

Celebrating the milestone this year of four decades of audio excellence, AUDIX has been a trusted companion for musicians, engineers, and audio enthusiasts since 1984. From the introduction of the groundbreaking OM1 in 1985 to the distinctive design of the legendary D6, AUDIX has consistently set new standards for innovation, performance, and quality.   Proudly designed & crafted in the U.S.A, the company’s cutting-edge facility based in Wilsonville, Oregan is a hub of creativity and ingenuity where artistry meets technology, and we continue to push boundaries to redefine industry standards. Every AUDIX microphone undergoes a meticulous process to guarantee it attains the pinnacle of performance and reliability, a reflection of our dedication to quality and meticulous attention to detail. That is why AUDIX is recognized among musicians, vocalists, sound engineers and other industry professionals for delivering microphones that capture audio with clarity and precision for an exceptional audio experience.

www.audixusa.com.

About Videndum Media Solutions

Videndum Media Solutions is a division of Videndum plc, an international group of companies serving customers in the growing content creation market. Videndum Media Solutions designs, manufactures, and distributes premium branded photographic and video equipment such as tripods; bags; filters; backgrounds; motion control; lights and microphones for professional and hobbyist photographers and video-makers; and content creators. Positioning Videndum Media Solutions as the leading global provider of accessories within the fast-growing digital multi-media content market, the portfolio includes the following premium brands: AUDIX; Avenger; Colorama; Gitzo; JOBY; Lowepro; Manfrotto; Rycote; Savage and Syrp Lab. All products are distributed on a direct basis in 11 markets across the world through Videndum Media Distribution, as well as many other markets through a network of qualified retail partners.

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