Oxnard, CA (October 20, 2026) – Handling audio production for everything from prominent houses of worship to premier educational facilities and professional recording studios, independent audio engineer JC Fredrickson requires equipment that guarantees pristine sound, absolute reliability, and rapid deployment. As the contract audio engineer for Oaks Christian School, a freelancer for several Los Angeles-area churches, and the co-founder of RedCity Studios, Fredrickson has upgraded his live production capabilities with the new AUDIX Wireless MicroBoom MBW50B microphones to manage incredibly fast-paced stage environments.
For years, Fredrickson has relied on the wired versions of the AUDIX MicroBooms, discovering early on that they easily matched the performance of much more expensive alternatives. “Before using the AUDIX MicroBooms, I was using a much higher-priced competitive microphone,” Fredrickson explains. “I did shootouts against the higher-priced options and found that with the AUDIX MicroBooms, we didn’t lose any audio quality despite the much more accessible price point.”
The sound quality and sleek form factor of the MicroBooms naturally won over his clients. “The MicroBooms are incredibly low-profile, which eliminated complaints from parents during school theatre productions and musical performances, because they want a clear sightline to their kids without a bulky mic stand in the way,” he notes.
Recently, Fredrickson stepped up to the newly released Wireless MicroBoom system, a move that has radically improved his stage logistics. Working with large congregations like the 3,000-member Shepherd Church in Porter Ranch, CA, fast changeovers are critical. “Their stage features numerous vocalists moving around, and they typically strike the choir mics as soon as the worship portion ends,” shares Fredrickson. “Previously, it took three people to go in, unplug the microphones, gather the cables, and walk out while dodging cameras. Now that the MicroBooms are wireless, two crew members can quickly walk in, pick up the stands, and walk off. The transitions on stage are incredibly smooth and wire tangles have been entirely eliminated.”
The advantages extend beyond logistics to pure sonic performance, particularly in challenging acoustic environments. “Schools and houses of worship often rely on volunteer choirs or younger kids who simply do not project loudly enough while singing. Getting enough gain before feedback is a critical component for us,” Fredrickson says. “Being able to crank up the Wireless MicroBooms without having to worry about feedback has been a massive advantage.” He also praises its fine-tuned hardware updates, ”The new knuckle on the boom feels incredibly secure and gives me peace of mind, ensuring the microphone stays perfectly in place without the need for gaff tape.”
Beyond the MicroBooms, Fredrickson is a dedicated user of the broader AUDIX ecosystem. For his studio sessions with DW Drums he relies heavily on the AUDIX D-Series, praising the new D6X dynamic kick drum mic for its versatility. He has also successfully implemented the PDX520 dynamic vocal microphone for its ability to eliminate background noise on podcasts. Looking to the future, he recently demoed the upcoming AUDIX Novacore wireless system and was able to effortlessly overcome significant RF challenges at a large multi-room church in the valley.
Reflecting on his continued trust in the brand, Fredrickson highlights the company’s continuous innovation and sonic excellence. “I really feel like AUDIX listens to its customers and is willing to grow. Lately, it is clear they are successfully expanding across the entire audio spectrum, creating incredible solutions for choirs, ensembles, and broadcast,” he concludes. “When I pick an AUDIX microphone out of my mic locker, I have complete confidence that it is going to perform perfectly.”
About AUDIX
Celebrating the milestone of four decades of audio excellence, AUDIX has been a trusted companion for musicians, engineers, and audio enthusiasts since 1984. From the introduction of the groundbreaking OM1 in 1985 to the distinctive design of the legendary D6, AUDIX has consistently set new standards for innovation, performance, and quality.
Proudly designed and crafted in the U.S.A., the company’s cutting-edge facility based in Wilsonville, Oregon is a hub of creativity and ingenuity where artistry meets technology, and we continue to push boundaries to redefine industry standards. Every AUDIX microphone undergoes a meticulous process to guarantee it attains the pinnacle of performance and reliability, a reflection of our dedication to quality and meticulous attention to detail. That is why AUDIX is recognized among musicians, vocalists, sound engineers and other industry professionals for delivering microphones that capture audio with clarity and precision for an exceptional audio experience. www.audixusa.com
