Waterloo, ONT––As part of its ongoing effort to support the growth of the network for its award-winning Multi-cellular Loudspeaker Array system, Martin Audio has appointed Jim Jorgensen (UXM) to the newly created position of MLA Support Specialist.
A respected audio veteran, Jorgensen has been working with Martin Audio products since 1978. His career includes work with regional sound companies such as his own Genesis Productions in Phoenix, as well as Sunbelt Scenic Studios, and Clearwing Productions in Milwaukee and Arizona.
Jim has also toured with leading artists such as Missy Elliott, Stevie Wonder, Tower of Power and, most recently, Sammy Hagar and Chickenfoot.
“Having known and worked with Jim for 20 years, I am thrilled to welcome him to our team in North America,” said Rob Hofkamp, Director of Operations for Martin Audio. “Jim’s knowledge of the industry and the pedigree for this unique product will offer our MLA partners and users the very best support.”
Asked to describe his position as MLA Support Specialist, Jorgensen says he “will cover the middle ground between sales and training in the MLA network, putting an identity on this remarkable system and managing the user experience for engineers and production company owners.
“In terms of MLA, I’m excited to be working with the future of audio. There’s technology happening here that will change the way that systems work in the future.”
For more information about MLA, Jim Jorgensen can be reached at
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For more about Martin Audio, please click to
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About MLAâ„¢ (Multi-cellular Loudspeaker Array)
The result of many years of intensive R&D, MLA’s methodology replaces trial-and-error array design with intelligent numerical optimization of the array’s output based on a highly accurate acoustic model. The multi-cellular format has six individual cells in each enclosure, each with its own DSP and amplification.
With up to 24 enclosures, each MLA array has up to 144 cells — too great a number to optimize manually, or by ear. Instead, Martin Audio’s proprietary Display2â„¢ system design software automatically calculates FIR DSP filters for each cell and a redundant-ring audio network (U-NETâ„¢) downloads the settings into each array enclosure. Martin Audio’s VU-NETâ„¢ software provides real-time control and monitoring of the system.
MLA delivers a frequency response and SPL consistency never before achievable; a very high system output (140dB peak, per cabinet @1m); Automatic optimization of the array, both physically (splay angles) and electronically (DSP); Computer control and monitoring of the entire system, and total control of sound system balance for engineers and sound technicians.
MLA is fully integrated, with Class D amplification, DSP and U-NET digital audio
network built into each enclosure. MLA complete systems are ready-to-use, with MLA, MLD and MLX enclosures, flying hardware, software, cabling and training all supplied. Everything needed is included. All ancillary items — from tablet PC and Merlinâ„¢ controller to network interconnects and mains distro — are also included in the complete system package. This ensures full compatibility worldwide, down to cabling and accessories.
Additional features include 90A° x 7.5A° dispersion; a compact size (1136mm wide x 372mm high x 675mm deep), one-box-fits-all (festivals to theaters) application range and a global voltage, power factor corrected power supply.
MLA’s compact size and very high output allows it to be shipped using smaller trucks, offering considerable savings and reduced carbon footprint. The system also includes the MLX powered, flyable subwoofer capable of an unprecedented measured peak output of 150dB @ 1m; MLD downfill cabinet, and Merlin 4-in/10-out system controller and network hub. Audio input is via analog, AES3 or U-NET.
By adopting these principles and system components MLA is optimized for every member of the audience — from a 2,000 capacity theater, to a 20,000-seat arena, to a 100,000-person festival site. It will deliver the engineer’s exact mix to every seat (up to over 150 meters) with precision, exceptional power and clarity.
About Martin AudioA®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.
