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Cooke Optics can proudly share that its globally renowned Cooke S4/i spherical lenses were the tool of choice for cinematographer Ksenia Sereda to shoot The Last Of Us, the...
Cooke Optics has announced the launch of four new focal length lenses – 27mm, 35mm, 65mm, and the highly anticipated 18mm – joining the cutting-edge S8/i Full Frame (FF)...
For Panic! At The Disco’s music videos for its new album Viva Las Vengeance, cinematographer Eric Bader and director Brendan Walter took up the task of creating the music...
Am I Being Unreasonable?, the much-anticipated comedy-thriller series co-written by and starring BAFTA Award-winner Daisy May Cooper and Selin Hizli, belies its low budget with a cinematic look achieved...
Cinematographer Tat Radcliffe, BSC, chose the Cooke S7/i prime lens range paired with a Sony Venice to shoot Netflix’s much-anticipated film adaptation of Matilda the Musical, which will be...
For award-winning cinematographer Aaron McLisky, ACS, and for Academy Award® winning director, co-writer and leading actor Russell Crowe, shooting the psychological thriller Poker Face came down to two things:...
Cooke Optics has released a 19-40mm wide zoom in its Varotal/i FF range, which joins the 30-95mm medium and 85-215mm long zooms that were launched at the end of...
Cooke Optics will launch an exciting new Zoom lens at EnergaCAMERIMAGE 2022 (details to be announced shortly), and offer Cinematographers the chance to try the new Varotal/i FF and...
When it came to telling the story of Menudo – the iconic Puerto Rican boy band – for the four-part Max Original Documentary Series Menudo: Forever Young on HBO...
Cooke Optics announced its major investment in two important facilities and several new staff appointments to support its ongoing global growth. Crest Rise, a 600m2 production facility located near...
For cinematographer Ed Wu, the choice to use Cooke Optics Anamorphic/i S35 prime lenses for the Netflix original film End of the Road was easy. The harder choice was...
The recently introduced Cooke Optics Varotal/i FF 30-95mm zoom lens played a key role in the re-introduction of Original Fare. Since 2013, Original Fare has been a staple on...
Star Trek: Strange New Worlds will bring viewers to where no Star Trek viewer has gone before – to a world with a look all its own. Using three...
Cooke Optics has announced the launch of the S8/i Full Frame (FF) series of seven lenses for full-frame production with an all-spherical design and T1.4 throughout, these currently include...
To shoot the sequel to the acclaimed political thriller King of Boys, cinematographer Kagho Idhebor chose the Cooke Optics Panchro/i Classic to help Nigerian director and writer Kemi Adetiba...
Chaperone, the 2022 Sundance Film Festival nominee for the Short Film Grand Jury Prize, is a 16-minute dark drama beautifully shot by cinematographer Jordan T. Parrott, with a final...
Set in New York City in the 1880s, a period marked by the clash between old traditions and new paradigms, Julian Fellowes’ HBO original series The Gilded Age tells...
In From The Cold is Netflix’s new suspenseful and exciting series that follows a single mother exposed as an ex-Russian spy, who must juggle family life and unique shape-shifting...
Shooting the second season of an award-winning show could potentially be creatively restrictive, but cinematographer Caroline Bridges and director Patrick Harkins chose to evolve the original look of Guilt...
The CBC/IMDb TV original crime drama series Pretty Hard Cases – now in its second season – was shot in Toronto; not as the typical stand-in for New York,...
An ambitious new modern take on Romeo & Juliet, where a theatre rehearsal and performance gradually morph into a heightened reality, was captured by cinematographer Tim Sidell using Cooke...
The Disney Channel’s original musical comedy movie Spin is full of the type of color palettes expected of a story that follows an Indian American 15-year-old – played by...
Cinematographer Matt Lloyd, ASC, CSC, has used Cooke Optics S4/i prime lenses extensively since they first came out – including the pilot for the limited television series “Fargo.” But...
Season 4 of Star Trek: Discovery will bring viewers further into the story than previous seasons, as lead Director of Photography Philip Lanyon adds shooting in full-frame to his...
Cooke Optics has announced the launch of two exciting additions to its expanding range of Full Frame lenses. Two new Varotal/i FF zoom lenses bring leading-edge modern design and...
Cinematographer Diana Olifirova chose Cooke Anamorphics to film We are Lady Parts, Nida Manzoor’s anarchic and irreverent music comedy about a Muslim female punk band – called Lady Parts...
“When you’re preparing a film you can indulge in dreamy conversations –– it’s an essential part of the process that gets infused into the work. But once you’re on...
Cooke Optics announces the appointment of media industry veteran Roger Flynn as a new Non-Executive Director to its Board of Directors. Flynn is an investor and Non-Executive Director in...
Just the word ‘ballet’ brings wonderful classic images to mind. To capture those images juxtaposed with the modern world for Birds of Paradise, director of photography Shaheen Seth relied...
In the 1990s, almost every DP in New York was using the Cooke Optics S4/i for commercials, music videos, and independent features, according to Aaron Medick, one of the...
Writer-director John Michael McDonagh and cinematographer Larry Smith, ASC, BSC faced a race against time in the face of a threatening global pandemic to capture the vibrant colors and...
With a film featuring a more mature cast, set in the world of movie memorabilia, The Sixth Reel’s Director of Photography Jendra Jarnagin immediately gravitated to vintage Cooke Speed...
When writer/director Christian Rousseau envisioned the look of No Loss // No Gain (NLNG), he knew that the two worlds the film would portray would need to be photographed...
In the comedic dual worlds of Kevin Can F**k Himself, coming to AMC in the summer of 2021, cinematographer Adrian Peng Correia relied on Cooke Optics S7/i Full Frame...
Director of Photography Alexander Hackinger has brought a cinematic yet intimate ambience to the Meet Your Master German series of inspirational and entertaining online courses with the use of...
For cinematographer Isaac Vila, the choice of lenses is the most important decision of all when planning a feature film. For his latest project, Netflix’s Below Zero, which has...
DP Frida Wendel FSF, chose Cooke S7/i Full Frame Plus lenses to shoot Fate: The Winx Saga, the live-action TV adaptation of Nickelodeon’s animated series Winx Club. Following its...
Exhibitors interested in securing booth space at the inaugural event taking place Oct. 21 & 22, 2023 should act fast to secure the best price. ORANGE COUNTY, CA (March...
Stifel Theatre is a historic, 3,100 seat theatre in the heart of downtown St. Louis, Missouri. Originally opened in 1934, the theatre has played host to a variety of...
HAMAMATSU, Japan – March 23, 2023 – Yamaha Unified Communications is excited to announce a technology partnership with Yealink to create best-in-class audio and video collaboration for modern meeting...
Nicola will manage sales in Southern Europe and Benelux. ALAMEDA, USA – MARCH 23, 2023 — Clear-Com® is pleased to announce the appointment of Nicola Milburn as Senior...